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And since that time, lecture-demonstrations have remained a common format for presentations sponsored by the Guild. Others soon followed, and the Guild continues to encourage its teachers to take this significant career step. Also begun in the seventies was our monthly Seminar program. It was formed at the encouragement of Ava Comin Case, faculty and piano instructor at the University of Michigan, and through the energy and effort of its first president, Frances Danforth. These take diverse forms, like the Beethoven Conference in that was jointly presented by the Guild, the Academy for the Study and Performance of Early Music, the University of Michigan School of Music, and the Midwestern Historical Keyboard Society. As an affiliate of MMTA, the Guild began to sponsor its Student Achievement Testing program in This annual, comprehensive examination has been a tremendous success, helping students and teachers to set goals and measure progress. Recent formal meetings have discussed meditation and relaxation techniques, managing the business of a piano studio in the 21st Century, and the benefits and uses of technology in the classroom. Past Presidents.{/INSERTKEYS}{/PARAGRAPH} Supplemented and edited by Noreen Ferris Wolcott and Sara Briggs Carriere. Through offerings of continuing education, professional involvement, and growth experiences for students, the Guild has helped enrich the lives of teachers plus their many thousands of students. And as the s saw new members continually added, the Guild grew while keeping pace with modern teaching methods. As part of the effort to cultivate musical tastes, a series of monthly workshops was established for students to perform publicly before parents, other students and their teachers. The Foundation runs various events and recitals which help to fund student awards plus other grants that support teacher enrichment and special projects. and many more. This began in , when summer study scholarships began to be awarded through auditions each year. With nearly members, it continues the goals of its founders, striving for excellence in teaching as it evolves with the times. Antoinette Kehoe, Marjorie Leach and Frances Danforth became the first local teachers to be certified by the MMTA. In , the very year in which the Guild was founded, Frances Danforth also helped to form the first local chapter of the National Guild of Piano Teachers. This includes repertoire groups which meet regularly to discuss composers and masterworks and to explore the issues related to the performance or teaching of these works. These continue to be popular yearly events. As members have looked for increased professional involvement and opportunities for students, the Guild has supported many complementary activities through the years. Other master classes soon followed, by notable teachers from Michigan and neighboring states. Another important activity of the Guild has been to offer monetary assistance to students for studying music. In performance or instruction, it continues to help shape the musical life of southeastern Michigan. A central purpose of these meetings was to exchange ideas and teaching materials. The preceding text includes summary from two sources which can be downloaded below: An go here by Mary Bates and Lynne Waggoner, submitted in The Michigan Music Teacher in December, And link , by Francis A. Reports, for instance, were given regularly by members who had attended pedagogy workshops at various schools of music. The AAAPTG has been serving the music profession and the community for over 50 years. In June of , the U. {PARAGRAPH}{INSERTKEYS}History History The Ann Arbor Area Piano Teachers Guild was founded in as an outgrowth of the Ann Arbor Music Teachers Club. Indeed, it was the desire to hold this event that led to the official formation of the Guild. Eventually, it was decided to expand these activities. This was in addition to regular student recitals, with the goal being to build good listening audiences who were knowledgeable about performance practices. The first official presentation of the Guild was a lecture-demonstration master class presented by Ava Case, who remained an inspirational leader for the charter members. It now requires space provided by the music department of Eastern Michigan University and the University of Michigan in past years. In turn, well-known pedagogues — like Marvin Blickenstaff, Edna Golansky and Elvina Truman Pearce — gave workshops or lectures in Ann Arbor with the participation of our members. In the Ann Arbor Area Piano Teachers Guild Foundation was founded to create an off-shoot, not-for-profit organization that could assume the responsibility for fund-raising and award granting. School of Music held an audition for Teacher Certification in the Michigan Music Teachers Association MMTA.